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Table of Contents

Lecture Reflections
1/22/10: What is Design?
1/29/10: Where Does Danish Design Come From? What are its Roots?
2/9/10: Product Design
2/16/10: Furniture Design
3/9/10: Fashion Design
3/12/10: Interior Design
3/16/10: Architecture & Design
4/13/10: Civic Design, Design for the Public
4/16/10: Transportation Design and Architecture

Symposia Reflections
1/26/10: Symposium 1 of 8, "Form and Distinction," by Ole Thyssen
2/2/10: Symposium 2 of 8, Design as a Tool for Marketing and Branding
2/12/10: Symposium 3 of 8, Making High Quality Design Available to the General Public
2/19/10: Symposium, 4 0f 8, Craftsmanship & Mass Production
2/26/10: Symposium 5 of 8, Tradition and Modernity
3/26/10: Symposium 6 of 8, Architecture & Design as a Vehicle for Creating a Welfare State
4/20/10: Symposium 7 of 8, Danish Transportation
4/23/10: Symposium 8 of 8, Public Spaces, Public Life

Reading Reflections
1/26/10: "Form and Distinction," by Ole Thyssen
1/29/10: "Design, an Integral Part of the Danish," by Anne Maria Summerhayes
2/9/10: Excerpts from "Danish Design," edited by Svend Erik Møller and translated by Morgens Kay-Larsen
2/19/10: "Applied Art Between Nostalgia and Innovation," by Kristian Berg Nielsen
2/23/10: "Furniture and Industrial Design," from the Ministry of Foreign Affairs of Denmark
2/26/10: "The Magic of the Wokshop - Where hand and mind unite," by Henrik Sten Møller, and "Walk the Plank," by Tine Nyaard and Thomas Dickson
3/9/10: "Danish Fashion," by Marie Riegels Melchoir from the Encyclopedia of World Dress and Fashion
3/16/10: "New Danish Architecture," by Tobias Faber

Fieldstudy Reflections
2/10/10: Royal Copenhagen, Georg Jensen, Illums Bolighus
March 2010: Kunstindustrimuseet
March 2010: Danish Design Center
4/14/10: City Walking Tour & Danish Architecture Center


Monday, January 25, 2010

1/22/2010 Lecture Reflection: What is Design?

http://news.moleskiners.com/files/2009/11/moleskine-notebooks.jpg

List of Manufactured Items Touched in the Morning Before Class:
  • Clothing including Levis jeans, a sweater from The Gap, socks and underwear, a jacket from The North Face, Adidas sneakers, Brooks Brothers glasses, hat, and gloves
  • Toiletries including Nutrogena face wash, Rembrant toothpaste, a toothbrush, Acuvu contact lenses, Dove shampoo and conditioner, Clinique moisturizer
  • Furniture including a bed, a desk, a nightstand, a dresser, a kitchen table, kitchen cabinets, and chairs
  • Electronics and appliances including a MacBook, an iPod, a cellphone, a hairdryer, multiple sinks and toilets, a refrigerator, an espresso machine and a dishwasher
  • School supplies including Moleskine notebooks and a planner, Bic Pens, a backpack from The North Face
  • Food including a box of corn flakes, a packet of instant espresso, and a milk carton
Reflection:
Many of the manufactured items that I touch in the morning I did not choose. Living with a host family means the space I am living in is not my own and does not necessarily reflect my personal tastes or preferences. Luckily, I live in a home that has a high sense of style, one that is modern and clean, simple yet elegant. Such a beautiful environment helped me feel comfortable in this new space. In this sense, I see design as something that both creates and is environment. It is something so central that often, you don’t think of it, don’t consider it unless it is especially beautiful, especially creative, or, on the other hand, especially unsuccessful.

Many of the manufactured goods I touch, especially my clothing, convey my own style and how I would like to be viewed in the world. Things that others can see, such as my jacket, are brand names that I like and trust, where as I cannot even remember the type of underwear I wore considered that it is out of sight and so out of mind. To me, this demonstrates the importance of the visual element of design. Of course, as was discussed in class, form should follow function. As beautiful as a bottle of face wash may be, I would not buy it if it did not clean my face properly. Nevertheless, a product’s design is an essential part of its success. I bought my sneakers not because they are better than another pair but because I appreciate how they look and what they say about me. Because of the interconnectedness of form and function, as well as design’s ability to convey ideas, to me design is a physical manifestation of creative processes that successfully balance aesthetics and usefulness and it is capable of sending messages, expressing ideas, being persuasive, and is in dialogue with society such that it either reflects or contests its values and beliefs.


It is ironic that design is at once so visual and tactile and yet so illusive precisely because it is everywhere. It dictates our choices, makes life easier, creates a more beautiful environment, and still many go through life rarely noticing the design of their pen cap or the layout of the supermarket. These little and big elements of daily life are all designed and so integral to life that we see them not as design but simply as the world is. Design then is something integral to the human experience.

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