skip to main |
skip to sidebar
Table of Contents
Lecture Reflections1/22/10: What is Design?1/29/10: Where Does Danish Design Come From? What are its Roots?2/9/10: Product Design2/16/10: Furniture Design3/9/10: Fashion Design3/12/10: Interior Design3/16/10: Architecture & Design4/13/10: Civic Design, Design for the Public4/16/10: Transportation Design and ArchitectureSymposia Reflections1/26/10: Symposium 1 of 8, "Form and Distinction," by Ole Thyssen2/2/10: Symposium 2 of 8, Design as a Tool for Marketing and Branding2/12/10: Symposium 3 of 8, Making High Quality Design Available to the General Public2/19/10: Symposium, 4 0f 8, Craftsmanship & Mass Production2/26/10: Symposium 5 of 8, Tradition and Modernity3/26/10: Symposium 6 of 8, Architecture & Design as a Vehicle for Creating a Welfare State4/20/10: Symposium 7 of 8, Danish Transportation4/23/10: Symposium 8 of 8, Public Spaces, Public LifeReading Reflections1/26/10: "Form and Distinction," by Ole Thyssen1/29/10: "Design, an Integral Part of the Danish," by Anne Maria Summerhayes2/9/10: Excerpts from "Danish Design," edited by Svend Erik Møller and translated by Morgens Kay-Larsen 2/19/10: "Applied Art Between Nostalgia and Innovation," by Kristian Berg Nielsen2/23/10: "Furniture and Industrial Design," from the Ministry of Foreign Affairs of Denmark2/26/10: "The Magic of the Wokshop - Where hand and mind unite," by Henrik Sten Møller, and "Walk the Plank," by Tine Nyaard and Thomas Dickson3/9/10: "Danish Fashion," by Marie Riegels Melchoir from the Encyclopedia of World Dress and Fashion3/16/10: "New Danish Architecture," by Tobias FaberFieldstudy Reflections
2/10/10: Royal Copenhagen, Georg Jensen, Illums Bolighus
March 2010: Kunstindustrimuseet
March 2010: Danish Design Center
4/14/10: City Walking Tour & Danish Architecture Center
4/16/10 Lecture Reflection: Transportation Design and Architecture
Today's lecture interested me most by its portrayal of transportation design as something equally forward thinking as it is backwardly referential. A quick analysis of London's St. Pancras train station demonstrates how early stations were more than transportation hubs but icons of development, designed to look more like cathedrals than anything. While these grand buildings stood as emblems of progress and acted as status symbols, they also posed a logistical problem - they simply took up too much space. To hide the often ugly new technology, stations were built to cover it up from the public eye. In this instance, similar to Copenhagen's Central Station, St. Pancras stood as both a sign of what was to come (the train is the classic symbol of inevitable technological progress), but nevertheless strove to resemble great buildings of old. Cities may have been proud of these technological giants, but they did not want to scare their citizens with too much change too fast and so disguised them, ironically, as places of worship.
St. Pancras Station, London - ornate, cathedral like design http://i.telegraph.co.uk/telegraph/multimedia/archive/01157/portal-graphics-20_1157354a.jpgSpace taken up by St. Pancras Station
http://static.worldarchitecturenews.com/news_images/1325_1_1000%20St%20Pancras.jpg
From this point forward, the main task of transportation designers was the successful integration of traffic. Because transportation infrastructure is difficult to completely disband considering that people still need to get from place A to B, much of transportation design occurs as improvement or renovation, as opposed to creation. Of course, thinking back to the beginning of the semester, all design is simply the development of some pre-existing idea, the improvement of things already created. Once again, then, we are faced with the predicament of needing to move forward while being firmly tied to the past.
Despite often needing to working within an existing framework, Danish Transportation Design seems to be making considerable headway. The plan for the new Nørreport Station in Copenhagen, designed by Public Arkitekter is a perfect example of how Danish transportation design is particularly innovative. In a response to the high level of traffic around the station that isolates it like an island and makes it dirty, congested, and uninviting, traffic has been shifted to that both directions of traffic are on the same side of Nørreport. This not only makes traffic simpler but creates a city pavilion out of the station, leaving space for vendors and cafes. Pavilions will make use of natural light, glass, and curved spaces so as to prevent crime and make the space safe and inviting. Also important are the 3000 spaces for bike parking. The parking looks to the future when even for Danes will use a bike as their primary means of transportation. As functional as the parking is, it is still aesthetic by being contained in depressions in the ground that do not impede sight lines. But incorporated into all of these new features are the subway ventilation pipes that cannot be removed. Also, the subway platforms themselves, while receiving a face-life, are not being expanded as they should be due to lack of funding. Thus, the old exists with the new, and in many way, dictates what new things can and cannot be.
Nørreport Station todayhttp://upload.wikimedia.org/wikipedia/commons/f/f2/N%C3%B8rreport_Station_01.JPG Plan for New Nørreport Station, by Publichttp://www.danskdynamit.com/uploads/imagecache/blogimage_big/blog/N_rreport4_390657a.jpg
Another good one....
ReplyDelete